El espectador explícito según Griselda Gambaro
DOI:
https://doi.org/10.69746/liminal.a19Keywords:
Argentine theater, spectators, Griselda Gambaro, Alberto UreAbstract
We propose to analyze the explicit spectator that appears in her metatexts gathered in the book El Teatro Vulnerable (2014), where we observe different types of spectators. recognized by her throughout her career as a playwright, both in the staging of her works that were performed in Argentina in the independent theater circuit and in local official theaters. Also, we compare her concepts with the ideas expressed by the Argentine director Alberto Ure (1940-2017) regarding the public that participated in his theatrical experiences. Finally, by comparing such writings, we were able to verify how at that time the spectators who attended the independent theater circuit were no longer mere observers of a conventional production.
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References
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