La imagen-acontecimiento: Objeto de creación en la dirección de puesta en escena en ámbitos de intervención

Eduardo Sánchez

doi:10.69746/liminal.a67

Authors

Eduardo Sánchez University of Antioquia

DOI:

https://doi.org/10.69746/liminal.a67

Keywords:

event, image, ontology, performing arts, staging direction

Abstract

This article explores the "event-image" as a central concept in stage direction, particularly in social intervention contexts. The approach delves into stage direction as a process of spatio-temporal manipulation of the scenic event. It highlights performance as a creative tool in this type of direction and analyzes the structure of the staging, developing "scenic thinking" through different orders of the event-image: the intervention sphere, the perimeters of the scenic event, the graphy of chance, the aesthetic of the spectator, and the poetic concretization (aesthesis). Finally, it elaborates on the structure of the scenic narrative through various "image" types (conflictual, thought, threshold, accent, memory).

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Author Biography

Eduardo Sánchez, University of Antioquia

He began his university studies at the Department of Performing Arts, Faculty of Arts, University of Antioquia (1983–1986). He later trained as a theatre director at the Cherkasov Institute of Theatre, Music and Cinematography in Saint Petersburg, Russia, where he also earned a Master of Fine Arts degree (1986–1992).

He holds a Specialization in Playwriting (1999–2000), with honors, and a Master’s degree in Playwriting and Directing (2010–2012) from the Faculty of Arts at the University of Antioquia, with high distinction.

Sánchez has published articles and original works in several specialized journals, including A Teatro (Medellín), Paso de Gato (Mexico), Papel en Escena (Cali), Gestus (Bogotá), and Cuadernos Pedagógicos from the University of Antioquia, among others.

As a theatre director, he has staged numerous productions, including: El invitado by Juan Radrigán, Pablo Neruda viene volando by Jorge Díaz, Cruzando la frontera (his own work), and Así nos queme los labios, an original play presented at the University Theatre Festival of Manizales (Colombia), with performers from Mexico, Argentina, and Colombia (2008).

He is the creator and director of the Urban Opera Project: Ciudad de Medellín, through which he directed three major productions:

¿A dónde? ¿A dónde? Ciudad, at Parque La Ladera (2005)
¡OH! Santo Domingo, at Parque La Candelaria in the Santo Domingo Savio neighborhood (2006)
Memoria, destierro del olvido, staged to commemorate the founding of the Casa de la Memoria Museum in Medellín

He is currently the Head of the Department of Performing Arts at the Faculty of Arts, University of Antioquia, and serves as a professor in the Specialization in Creative Intervention program at the Colegiatura Colombiana.