Entre ficción y realidad: memoria, lugares de memoria y representaciones feministas en Mujeres de la Historia (Parte 1 y Parte 2)

Luciano Flávio De Oliveira

doi:10.69746/liminal.a65

Authors

Luciano Flávio De Oliveira Universidade Federal de Rondônia https://orcid.org/0000-0002-3738-1797

DOI:

https://doi.org/10.69746/liminal.a65

Keywords:

Argentine Theater, Technovivium, Pandemic, Memory, History

Abstract

Mujeres en la historia (Part 1 and Part 2) are two technovivial experiences (Dubatti, 2020) directed by Cecilia Dellatorre in Buenos Aires in 2020 and 2021, respectively, during the COVID-19 pandemic. In this study, drawing on the ideas of Chartier (2007) and Trombetta (2019), we ask what constitutes fiction and what corresponds to reality in the represented stories, and we analyze these experiences in light of the concepts of memory proposed by Nora (1992), virtual sites of memory by Baltar-Moreno (2022), the representation of the past according to Chartier (2007), and the notion of technovivial experience developed by Dubatti (2020). Using a qualitative research methodology—based on hermeneutic and interpretive analysis, content and discourse analysis, as well as case studies and theoretical-analytical research—our objective is to clarify how these two contemporary stagings, presented via streaming, contribute to the representation and valorization of the memories and experiences of prominent Argentine historical women such as Alfonsina Storni, Mariquita Sánchez de Thompson, Lola Mora, and Juana Manso.

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Author Biography

Luciano Flávio De Oliveira, Universidade Federal de Rondônia

Adjunct Professor in the Undergraduate Theater Program at the Federal University of Rondônia (UNIR). Currently completing a postdoctoral fellowship in the Postdoctoral Program in Human and Social Sciences at the Faculty of Philosophy and Letters, University of Buenos Aires (UBA). Holds a Ph.D. and Master’s degree in Theater from the State University of Santa Catarina (UDESC). Specialist in the History of Culture and Art from Federal University of Minas Gerais (UFMG). Earned a Bachelor's degree in Performing Arts—with a focus on Theater Direction—from the Federal University of Ouro Preto (UFOP). At the same university, served as a substitute professor in the Performing Arts Program (Licentiate and Bachelor's degrees). Coordinated the Extension Program "DArtes [Em]Cena: Theater, Politics, Society" from 2018 to 2022. Currently coordinates the extension project "Trupe dos Conspiradores: Research and Practice in Staging and Acting", as well as the extension event "Staging Showcase of DArtes/UNIR". Also coordinates the research project "Contemporary Poetics of Staging: From the Living Encounter to the Technovivial in Theater, Puppet Theater, and the Classroom". External collaborator of the FILOCyT 22-035 project (Historical Women and Their Relationships with Power in Stage Constructions from 2010 to the Present), coordinated by Jimena Cecilia Trombetta at the Institute of Performing Arts (IAE), University of Buenos Aires (UBA). Member of "PAKYOp – Laboratory for Research in Theater and Transculturality: Praxis, Reflections, and Pedagogical Poetics", certified by CNPq. Member of the International Academy of Brazilian Literature (AILB), based in New York. Has experience in the field of Theater and the Arts, with emphasis on Staging, Acting, Improvisation, Puppet Theater, Theater Production, and Cultural Management.

References

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Alternativa Teatral. (2021). Mujeres en la Historia – Parte 2 [Video]. YouTube. https://www.youtube.com/watch?v=4iEwLaJScJw Transcripción de audio realizada por De Oliveira, L. F. Disponible en: https://docs.google.com/document/d/16K5AbAJCSWWOOmnlLdVNumkSTHWARXOQ/edit

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