Improvisación en danza: Traducciones y distorsiones compilado por Marie Bardet, Marina Tampini y Josefina Zuain

Dulcinea Segura Rattagan

doi:10.69746/liminal.a91

Authors

Dulcinea Segura Rattagan Universidad de Buenos Aires

DOI:

https://doi.org/10.69746/liminal.a91

Keywords:

Review

Abstract

A partir de la compilación de textos realizada por Marie Bardet, Marina Tampini y Josefina Zuain, tres movientes de la danza y el pensamiento, se organiza un libro que invita a leer, a pensar y a mover. “Porque no se trata de identificar, crear o comprobar escuelas de transmisión organizadas o codificadas, sino de asir y trazar, escuchar y poner la voz a los relatos y a los pensamientos que inervan las prácticas”, como señalan en el prólogo a tres voces.

Downloads

Download data is not yet available.

Author Biography

Dulcinea Segura Rattagan, Universidad de Buenos Aires

She holds a Bachelor of Arts degree from the University of Buenos Aires, a postgraduate degree in Cultural Management from the University of Córdoba, and is a dance therapist graduated from Danzacuerpo. She has studied flamenco, contemporary dance, and theater, and has performed in various cultural venues in Buenos Aires, Lima, Madrid, and Barcelona (where she lived for more than six years). In the field of research and management, she is the coordinator of the Dance and Movement Arts Research Area at the UBA's Institute of Performing Arts, and a dance researcher in the Art Sciences Research Area (AICA) at the Centro Cultural de la Cooperación. As a critic, she coordinates a blog dedicated to the performing arts of movement, www.craneapolis.blogspot.com. She also contributes to the magazine Palos y Piedras (the magazine of the Centro Cultural de la Cooperación) and to various media outlets dedicated to dance and theater (Danzanet Argentina, Mutis x el foro, www.enescenahoy.com.ar, and www.newtonlaspelotas.net, among others). In addition, she is a member of the jury for the Teatro del Mundo Award of the University of Buenos Aires.